Nye Farley talks about strumming triplets in slip jigs. Of course this one is made for guitar, but can easily be translated for bouzouki. If you like it look for more videos of Finale Guitar on youtube. Nye also has published a good book on accompanying irish tunes on guitar with a lot of ideas you also can use for bouzouki.
Are you in need of a cool metronome? Well, ask youtube. You'll find Bodhran beats you can use as metronome. Here is a list of a few of them, maybe you'll find some more.
Unfortunately until now only Jig and Reel available.
Three [Bm]fishers went [Bm]sailing out [G]into the [A]west [Bm]Into the [Bm]west as the [G]sun went [A]down Each [G]thought on the [G]woman that [Bm]loved him the [A]best, and the [Bm]children stood [Bm]watching them [G]out of the [A]town
{soc} For [D]men must [D]work and [G]women must [A]weep For there's [Bm]little to [Bm]earn and [G]many to [A]keep, and the [G]harbour [G]bar be [A]moanin', and the [Bm]harbour [G]bar be [A]moa[D]nin' {eoc}
Three wives sat up in the lighthouse tower, They trimmed the lamps as the sun went down, and They looked at the squall and they looked at the shower, and The night-wrack came rollin' in, ragged and brown.
For men must work and women must weep, Though storms be sud - den and the waters be deep, and The harbour bar be moanin', and The Harbour bar be moanin'.
Three corpses lay out on the shining sand, In the morning gleam as the tide went down, and The women were weepin' and wringin' their hands, For those who would never come back to the town.
For men must work and women must weep, and The sooner it's over, the sooner to sleep, and Good - bye to the bar and its moanin', and Good - bye to the bar and it's moanin',
Oh men must work and women must weep, and The sooner it's over, the sooner to sleep, and Good - bye to the bar and its moanin', and Good - bye to the bar and it's moanin',
On March, 20th Matt & Shannon started their virtual session with this tune. Matt played a wonderful arrangement on his bouzouki. Here's my attempt to write down the arrangement for the first time round. The Song starts at around 5.10.
This is a really cheap little which provides lots of chords for newbies, so maybe worth to have a look at. It's only 0,99€ so it's cheaper than the chordbook which is available, and it's more handy, because you can have access everywhere on your mobile phone.
On August, 8th 2020 Matt and Shannon Heaton played a Set they started with the Reel "Otter's Holt", this is one of my all time favourite tunes. So I tried to write down the accompaniment of the first round through the tune.
Here you can find the video of the session with deep links to the sets:
Darren plays the sea song Go To Sea No More on his Greek Bouzouki. He writes as comment:
Origins of this song have been traced back to the English Merchant Navy. It's thought to have been brought back from San Francisco and changed in England. Reasons being that Liverpool had no whaling industry and there was a known crimper in San Francisoco called Shanghai Brown. Shanghaiing or crimping is the practice of kidnapping people to serve as sailors by coercive techniques such as trickery, intimidation, or violence.
He also made some tutorials for Irish Bouzouki. You'll find them here:
[D] [G] [D] Oh, me [D]name it is Sam [G]Hall, chimney [D]sweep, chimney [A]sweep Oh, me [D]name it is Sam [G]Hall, chimney [D]sweep
Oh, me [G]name it is Sam Hall, and I've [D]robbed both great and [A]small And me [Bm]neck will pay for [G]all, when I [D]die, when I [A]die And me [Bm]neck will pay for [G]all, when I [D]die
I have [D]twenty [F#m]pounds in [Bm]store, [D]that's not [G]all, that's not [A]all I have [D]twenty [F#m]pounds in [Bm]store, that's not [G]all
I have [Em]twenty pounds in [G]store, and I'd [D]rob for [F#m]twenty [A]more For the [D]rich must [F#m]help the [Bm]poor, [D]so must [G]I, so must [A]I For the [D]rich must [F#m]help the [Bm]poor, so must [G]I
Oh, they [D]took me to Coot[G]hill, in a [D]cart, in a [A]cart Oh, they [D]took me to Coot[G]hill, in a [D]cart
Oh, they [G]took me to Coothill, where I [D]stopped to make my [A]will For the [D]best of friends must [G]part, so must [D]I, so must [A]I For the [D]best of friends must [G]part, so must [D]I
Up the [D]ladder I did [G]grope, that's no [D]joke, that's no [A]joke Up the [D]ladder I did [G]grope, that's no [D]joke
Up the [G]ladder I did grope, and the [D]hangman he pulled his [A]rope But [D]ne'ar a word I [G]spoke, tumbling [D]down, tumbling [A]down But [D]ne'ar a word I [G]spoke, tumbling [D]down
Oh, me [D]name it is Sam [G]Hall, chimney [D]sweep, chimney [A]sweep Oh, me [D]name it is Sam [G]Hall, chimney [D]sweep
Oh, me [G]name it is Sam Hall, and I've [D]robbed both great and [A]small And me [D]neck will pay for [G]all, when I [D]die, when I [A]die And me [D]neck will pay for [G]all, when I [D]die