Matt Heaton made another one in his great Backer Corner series. This is a hornpipe you really have to know before backing it.
While watching I thought about how I would back it on the bouzouki. The tune is in A, not my favourite key on the bouzouki, but I wanted to try it anyway. All I wanted to do was to find the chord shapes Matt uses on the bouzouke. So I figured out two ways of accompanying and made an answer video to Matt's.
Here's Matt's video:
And this is my answer bouzouki video. Please be kind to me, this is my very first instructional video and I did it without any practicing beforehead. Hope this is helpful.
A few days ago I posted another version of this lovely jig. Here's the version of Mary Bergin with Alec Finn. I tried my best to tab the acompaniment, but there may be some mistakes in it. So please let me know if you find them ;-)
If you want the whole tab in pdf form just write an email and comment.
Matt just posted another video in his Backer Corner series. This time he talks about backing polkas. I think his series is definitely one of the best tutorials available at the moment. So have a look at it.
If you are not familiar with Matt Heaton up to now look for Matt & Shannon Heaton on google and youtube. You'll find plentyful of good music and information. They do Slow Sessions on youtube and Shannon published some fine books on Irish Music. https://shannonheatonmusic.com
In Bodenstown churchyard there is a green grave, And wildly around it the winter winds rave; Small shelter I ween are the ruined walls there When the storm sweeps down on the plains of Kildare. Once I lay on that sod it lies over Wolfe Tone And thought how he perished in prison alone, His friends unavenged and his country unfreed "Oh, bitter, " I said, "is the patriots meed.
"For in him the heart of a woman combined With heroic spirit and a governing mind A martyr for Ireland, his grave has no stone His name sheldom named, and his virtues unknown." I was woke from my dream by the voices and tread Of a band who came into the home of the dead; They carried no corpse, and they carried no stone, And they stopped when they came to the grave of Wolfe Tone.
There were students and peasants, the wise and the brave, And an old man who knew him from cradle to grave, And children who thought me hard-hearted, for they On that sanctified sod were forbidden to play. But the old man, who saw I was mourning there, said: "We come, sir, to weep where young Wolfe Tone is laid, And we're going to raise him a monument, too A plain one, yet fit for the loyal and true."
My heart overflowed, and I clasped his old hand, And I blessed him, and blessed every one of his band: "Sweet, sweet tis to find that such faith can remain In the cause and the man so long vanquished and slain." In Bodenstown churchyard there is a green grave, And freely around it let winter winds rave Far better they suit him the ruin and gloom Till Ireland, a nation, can build him a tomb.
Bodenstown is in Sallins, Co. Kildare, where Wolfe Tone is buried. Wolfe Tone was one of the leaders of the 1798 uprising, often referred to as the rebellion of the 'United Irishmen' due to the fact that Catholic and Protestant Republicans fought side by side. (Notes Finbar & Eddie Furey, 'The Farewell Album')
This time I tried to tab a barndance composed by Vincent Broderick and played by Willie Kelly and Mike Rafferty accompanied by Donal Clancy on Bouzouki. Here's the tune:
Here's the tab I made for it: If you want the whole tab in pdf form just write an email and comment.
Kevin Elam talks about accompanying Jigs and gives four reasons why you should learn DUDDUD Rhythm. He does not say that playing DUDUDU is false, but that it should be your main pattern and match it with alternates.
