Luke Ward - Man Of The House Reel - Lesson

 A new Lesson by Luke Ward on YouTube. The Man Of The House in Em played with Capo on 2nd Fret.

I posted more of his videos here if you might want to have a look

The tabs can be found on his patreon site here.

John Davies - Some Songs accompanied on the bouzouki

 I just like to share a few videos by John Davies, a singer, guitar and bouzouki player. I did not find any information about him on the web.

Here' "Tippin it up to Nancy"

Crazy Love by Van Morrison

Rambling Rover by Andy M. Stewart

Holmfirth Anthem, a tradtional Yorkshire folk song

If Not For You by Bob Dylan

Fairytale Of New York

"The Thumpatron" - Bodhrán Backing Tracks for Tune Practice by Michael Eskin

 Michael Eskin, well known for his "ABC Transcription Tools" has now released a new tool for practice, "The Thumpatron", a collection of Bodhran Beats in different tempo. Jigs, Reels and Polka Rhythms are available. Unfortunately no Slides, Slip Jigs and Hornpipes. But a very handy tool it is for sure.

You can find "The Thumpatron" here.

This is his website where you can find his "ABC Transcription Tools"

John Doyle's long neck Bouzouki

 John Doyle, well known for his driving guitar accompaniment is also a great bouzouki player. In this video John and the Kevin Muiderman, Luthier of Muiderman Guitars discuss the building of this fine instrument.

John's bouzouki has a very small 11 1/2" body widths, ultralightweight tops and a graphite composite bracing within. The top is made of Sinker Redwood, back and sides made of Ziricote.

Luke Ward - Lesson on how to play "Paddy's Green Shamrock Shore"

Luke Ward has published a lot of fantastic videos on his Patreon Site. If you haven't checked them you should do it now. 

Now he has shared another video on youtube for free. If you want the notation you can find it on his patreon.

This is my chordsheet which I shared here some time ago, not the one Luke plays. I added 2 verses Daoiri sings sometimes.

{t:Paddy’s Green Shamrock Shore}

{st:Daoiri Farrell}

From [D]Derry quay we sailed a[G]way [D]

on the [C]twenty-[G/B]third of [D]May

We were [G]taken on [Am]board by a [D]pleasant crew, 

bound [Am]for A[G]meri[C]kay

Fresh [G]water [Am]there we did [D]take on, 

five [C]thou[G]sa[D]nd [G]gal[D]lons or [C]more        

In [D]case we’d run short going to New [G]York 

[D]far a[C]way from the [G]shamrock [D]shore. 

So [D]fare thee well, sweet Liza [G]dear [D]

and like[C]wise unto [G/B]Derry [D]town

And [G]twice fare[Am]well to my [D]comrade boys 

that [Am]dwell on that [G]sainted [Am]ground

If [G]fortune shall [Am]ever [D]favor me, 

and [Am]I do have [G]money in [C]store

I’ll go [D]back and I’ll wed the wee lassie I left 

on [C]Paddy’s green [G]shamrock [D]shore. 

Oh at [D]six o'clock on that [D]morning fair 

our [C]anchors [G/B]we did [D]weigh,

The [G]sun shone [Am]down on Ben[D]evassa’s rocks, 

how [Am]splendid [G]he did [C]play,

And green [G]castles, [Am]ancient [D]fort and church, 

oh it [Am]made my [G]heart so [C]sore,

But these [D]memorys still I will hold very dear 

when I‘m a[C]way from the [G]Shamrock [D]Shore.

And then at [D]12 o'clock on that [D]evening fair 

we [C]passed out [G/B]Malin [D]Head,

And then [G]Inishtra[Am]hull far [D]on to the right, 

it [Am]rose of the [G]ocean [C]bed.

But a [G]grander [Am]sight we [D]all did see there, 

that I [Am]never had [G]seen be[C]fore

It was the [D]sun going down between sea and sky, 

far [C]out from the [G]Shamrock [D]Shore.

We sailed three weeks, we were all seasick, 

not a man on board was free

We were all confined unto our bunks 

and no-one to pity poor me.

No father dear nor mother kind 

to lift up my head, which was sore

Which made me think more on the lassie I left 

on Paddy’s green shamrock shore. 

We safely reached the other side 

after fifteen and twenty days,

We were taken as passengers by a man 

and led round in six different ways,

Then each of us drank a parting glass, 

in case we might meet no more

And we drank a health to old Ireland 

and Paddy’s green shamrock shore. 

Matt Heaton - Thoughts on using a capo

 In this video Matt shares his thoughts on using a capo, which is an essential helper when playing the bouzouki.

Robin Jones - Daily Routine - Left and right hand practice

 Robin Jones talks about exercises that might help you to get better. Even if you think you know a lot of exercises you might find something new here. So you really have a look at this.

To help me remember the exercises better and look them up whenever I need to, I sat down today and wrote them out in tablature format. You can download this as a PDF here.

Slip jig set: Na Ceannabhain Bhana/Wheels of the World/Dever the Dancer

 Now here's a beautiful set of slipjigs played by Gregor Harvey. Keep an eye on his YouTube Channel too.

Robin Jones - about Picks, Capos, Strings etc.

 In this video Robin Jones talks about essential gear for Bouzouki players. A must-look at for beginners.

Pigeon on the Gate Reel - Practice Irish Traditional Music With Me - Tuesday 10 March - Declan Plummer

 This weeks tune in Declan's "Practice with me" series is the reel "Pigeon On The Gate", in E-Dorian. Watch Declan finding an arrangement for this tune. By the way he shares some tips and tricks on finding counterpoint melodies.

Beth Patterson at the New Orleans Jazz Museum

This is a one hour live performance of Beth Patterson, a fantastic bouzouki player from Louisiana.

"Beth Patterson is a versatile multi-instrumentalist from Lafayette, Louisiana, best known for her mastery of the eight- and ten-stringed Irish bouzouki. Described as a blend of "a cobra and a puppy," her performance style—which she calls "SWAP" (Songwriter/World/Acoustic/Progressive)—merges Celtic traditions with progressive rock and global ethnic influences.

Patterson's diverse background includes classical oboe, Cajun bass, and formal studies in ethnomusicology at University College Cork. Her prolific career spans nine solo albums and appearances on over 200 recordings. Her work has reached global audiences via the BBC and NPR, and she has performed in over 20 countries. Beyond the stage, she has contributed to film soundtracks (including The One-Eyed King) and even appeared in Spinal Tap II."

Text made with AI

Dónal Lunny discusses his evolution through Irish music (Belfast 2004)

This rediscovered 2004 interview from Belfast offers a rare and intimate look into the life of Dónal Lunny, a foundational figure who fundamentally reshaped the landscape of Irish traditional music. Spanning a career that began in the 1960s, the footage captures Lunny’s transition from a young musician in Tullamore to a visionary producer and founding member of legendary ensembles like Planxty and Moving Hearts.

Innovation Meets Tradition

The interview highlights Lunny’s role as a pioneer of musical evolution. Key themes include:

• Instrumental Revolution: His discovery and adaptation of the bouzouki, which introduced a distinctive harmonic depth to Irish folk.

• Iconic Collaborations: Insights into his work with heavyweights such as Christy Moore and The Clancy Brothers.

• Evolution of Sound: His perspective on the shift from analog to digital recording and his unique philosophies on music production.

A Catalyst for Change

Beyond simple melodies, the discussion delves into Lunny’s commitment to social change. Through Moving Hearts, he helped merge traditional sounds with contemporary political messages, bridging the gap between folk roots and modern world music. His approach wasn’t just about preservation; it was about moving the genre forward while maintaining its soul.

Historical Significance

For cultural historians and fans alike, this footage serves as a "masterclass" in Irish musical history. It documents the technical and artistic shifts that allowed Irish folk to survive and thrive in a modern context. Lunny’s story is more than a biography; it is a roadmap of how tradition can be innovated without being lost.

(Text made with AI)

 

The Otter's Holt Reel - Practice Irish Traditional Music With Me - Declan Plummer

 Declan Plummer offers regularly practice videos where he shows his approach to accompanying tunes. They usually last for about two hours, a long time watch. But worth it. He also shows the software he uses and gives a lot of insights. This time he uses the Reel "The Otter's Holt", a well known session favourite.

As audio he uses a video by Olivia Barret, who kindly gave him permission to use her videos. Maybe you want to have a look at her bandcamp site.

Declan's Top Score Music Academy can be found here

At 1hr 14sec he tries out some countermelodic parts

When watching the video I found a passage where he is reminded of the song "Hotel California" and shows some chords for the song. Here they are:

Matt Heaton - New Bouzouki Lesson on YouTube: Break the First Position Habit

Now this is an important lesson not only for newbies on the bouzouki. Lots of possibilities to play chords up the neck. Now let's practice! You'll find most of these and lots more on this blog here:

McIntyre's Fancy Jig - Practice Irish Traditional Music With Me - TopMusic Academy

Another "Practice with me" Video from Duncan Cameron. He develops piece by piece an accompaniment for the tune "McIntyre's Fancy", a Jig in ADorian. He uses capo at 7th fret. The video he refers to is by Olivia Barrett.

Don't forget to have a look at his website: www.topscoremusicacademy.com