Donal Lunny, Róisín Elsafty and Máirtín O’Connor perform ‘Pota Mór Fataí’.
Dónal Lunny on bouzouki and button accordionist Máirtín O’Connor accompany Connemara sean-nós singer in a performance of the traditional song ‘Pota Mór Fataí’ on ‘The View’.
‘The View’ was a weekly television arts programme presented by John Kelly with a panel of reviewers discussing the latest books, films, art exhibitions, music and theatre. First broadcast on 9 January 2001, it ran until 13 December 2011.
This episode of ‘The View’ was broadcast on 15 March 2005. The presenter is John Kelly.
Diada are from Portugal. Colm Larkin, bouzouki and Sandro Bueno, Tin Whistle and Flute play mostly traditional tunes. On their Facebook page they share concert dates, media clips, and recordings that showcase their evolving style. They released a CD which you can hear on Youtube, Spotify and Apple Music.
You don't find lots of information about them on the internet.
I have already introduced Luke Ward's lessons here. Today, Luke has published a new lesson. This time, it's about playing melodies. He teaches us the reel Princess Royal. A beautiful melody. He shows us how to play with the capo on the 7th fret. This has the advantage that we can reach the high notes better without having to change position. If you play an instrument in GDAE tuning, you can play the top three strings just like on a mandolin or banjo.
I met Tom this summer several times in Dingle where he played together with his wife Caroline Keane in various pubs. Of course I bought this album from him on vinyl. The bouzouki player on the album is Alan Murray who at the time of recording was member of Fourwinds together with Tom, Caroline and Robbie Walsh.
On the album you'll find a variety of tunes (jigs, reels, slow air) played so beautifully and with drive.
Tom Delany is a highly regarded uilleann piper, bouzouki player, and singer from Dingle, County Kerry, Ireland. Born in France to an Irish father, he was immersed in Irish traditional music from an early age.
He has released his solo debut album The Lark’s Call in February 2022, which has been praised for its blend of fluent piping, expressive whistle playing, and imaginative arrangements. He is also one half of the duo Caroline & Tom (with concertina player Caroline Keane), and a member of the band FourWinds. Tom regularly tours internationally and is noted for the emotional depth of his slow airs, as well as the vitality he brings to jigs, reels, hornpipes and other dance tunes.
Here are some videos in which you can see Tom playing his bouzouki.
Bothy Band Rooftop Session Tom Delany (Bouzouki) Brian O'Loughlin (Flute) Tadhg Mulligan (Fiddle)
My heart tonight's in Ireland
Caroline Keane and Tom Delany live virtual concert at The Virtual Irish Festival of Oulu
he plays bouzouki on some tunes.
Caroline Keane & Tom Delany (Ireland) - full set, Shelter in Place Sessions
Léna Descottes is a french concertina and bouzouki/Octave Mandolin player. There's not much information about her on the web. It seems she tunes her instrument in GDAE. She just released her latest video on youtube. Together with Camille Raibault on fiddle. They call themselves ÓRÓ.
If you know more about her please write in comments!
Formed in 2023, Tempest has quickly become one of the most exciting new voices in Irish traditional music. The band is composed of:
Brendan Mulholland on flutes, bringing melodies and ornamentation to the fore
Blaithín Mhic Cana, whose expressive vocals draw on her native South Armagh singing tradition, especially the regional song lore
Aaron O’ Hagan, playing uilleann pipes along with flute and whistles, adding both tone and rhythmic drive
Luke Ward, on bouzouki and vocals, anchoring harmonic support and song texture
Their self‑titled debut album was released on 1 February 2025. It has been widely praised by critics and the trad community for its confident presentation of both instrumental sets and song material rooted in Ulster’s musical heritage.
Tempest’s repertoire embraces a balance of driving dance tunes and emotionally resonant songs. Their musical identity is firmly anchored in the heritage of Ulster—especially the northern province’s traditions—while also seeking fresh interpretations and energy.
As a native speaker of Irish, he also writes songs in Irish and builds instruments (mainly bouzoukis & mandolins), helping to sustain and evolve the tradition. The Irish News+2returntolondontown.org+2
Dónal Lunny (born 10 March 1947, Tullamore, County Offaly, Ireland) is a seminal figure in Irish traditional music—renowned as a bouzouki player, guitarist, composer, and producer. CFA Creative Futures Academy+3Wikipedia+3Wikipedia+3
He was a founding member of several landmark bands, including Planxty, The Bothy Band, Moving Hearts, Coolfin, and Mozaik. CFA Creative Futures Academy+3Wikipedia+3Wikipedia+3 Lunny is widely credited with introducing and popularizing the flat‑backed Irish bouzouki—modifying its design (via luthiers such as Peter Abnett) to suit the demands of Irish folk accompaniment. Wikipedia+2The Irish Post+2
Beyond instrument performance, he has worked as a producer and arranger, collaborating with both Irish traditional and international artists, continuously innovating across decades. allcelticmusic.com+2Wikipedia+2
Dónal Clancy is one of the finest guitarists in Irish traditional music today. Raised in An Rinn, County Waterford, he comes from a legendary musical family—his father was none other than Liam Clancy of The Clancy Brothers & Tommy Makem.
Dónal began playing guitar at an early age and developed a style that blends technical precision with deep musical sensitivity. He was member of the acclaimed group Danú and has performed with The Chieftains, Eileen Ivers (Riverdance), and the Máirtín O’Connor Trio, among others.
In addition to guitar, Clancy plays bouzouki, mandolin, and other stringed instruments. His solo albums combine traditional ballads with elegant arrangements and modern virtuosity.
Through his music, he not only preserves his family’s rich musical heritage—he continues to shape and expand it.
Brian Miller hails from Bemidji, in northern Minnesota. He developed a deep connection to Irish music early in life and has become known as a singer, guitarist, and bouzouki player dedicated to reviving traditional songs from the Great Lakes region—especially ballads once sung in lumber camps, aboard ships, and along the railroads.
Brian has performed with several notable groups, including Bua, Two Tap Trio, Chulrua, and the Máirtín de Cógáin Project. He is also an experienced educator and has taught for many years at institutions such as the Center for Irish Music in Minnesota.
His duo project The Lost Forty, with Randy Gosa, focuses on uncovering and performing Irish-influenced folk songs from the northern U.S., combining music with rich historical storytelling and cultural context.
Over the years, I have collected several tabs and chord sheets from Daoiri Farrell. Over the last 10 years, he has undoubtedly become one of Ireland's most influential singers. I first met him in 2011 at a weekend workshop and was impressed by his manner and musicality. At the time, he was still relatively unknown and had just released his first CD, which I had to purchase immediately. I still have a video of him playing my bouzouki from Heiner Dreizehnter and singing the song ‘Paddy's Green Shamrock Shore’. I had requested this song because he had sung it at the ceilidh the night before. You can also find this video on YouTube.
Brian Millar is a musician based in St. Paul, Minnesota, known for his deeply rooted work in Irish traditional music. Originally from Bemidji, he fell in love with Irish sounds as a teenager at the Winnipeg Folk Festival and has since developed a rich career as a guitarist, bouzouki player, singer, and multi‐instrumentalist.
He has played with bands such as Bua, The Two Tap Trio, and in recent projects like The Lost Forty (with Randy Gosa), bringing to light song traditions from the Great Lakes region and lumber camps. Miller also teaches Irish music, and his accompaniment style—especially on guitar and bouzouki—is admired for its intricacy, drive, and deep sense of tradition.
Danny and Brian play some Reels: Paddy Fahy's / The humours of Carrigaholt / Felie's Fancy (comp. Arty McGlynn) / The Grand Canal
Another set of Reels:
The Three Scones of Boxty / The Long Slender Sally / The Colliers'
25 Sept 2025
‘A que por muy gran fermosura’ is the title of Cantiga 384 from the Cantigas de Santa María, a collection of songs praising the Virgin Mary written during the reign of Alfonso X the Wise. This cantiga tells the story of a devout monk who wrote the name of Saint Mary in three colours to honour her great beauty, and how the Virgin appeared to him in a dream to thank him.
The tab is in the video. I tabbed it with Tabledit. If you like you can download it here
Some time ago, I reported on the workshops that Luke Ward offers on Patreon. He offers two different series, one for beginners and a second for advanced players. He publishes a workshop twice a month. So far, he has devoted himself to various topics related to accompanying tunes. Mainly accompaniment in different keys.
Now he has turned his attention to accompanying the song “The Blacksmith” in Andy Irvine's version. He sticks pretty closely to the version Andy plays live. He shows the intro and the accompaniment for the verses. Of course, there is also tablature for it.
So if you've been hesitating to sign up, now there's one more important reason to do so. It's worth it!
Strumming away at chords certainly has its place, but there’s a whole gamut of options that can be employed in Irish music accompaniment. We’ll explore a palette of ideas including partial chords, countermelodies, how melodies inform accompaniment, rhythmic choices including minimal (the oft-quoted “music is the space between the notes” can be applied to accompaniment as well as to melodies). Demonstrations will be primarily on the bouzouki but the concepts apply to guitar and other forms of accompaniment.
Instructor: Randy Clepper
Who's this for: Bouzouki, guitar, other accompaniment instruments
Level: Advanced Beginners/Intermediate/Advanced
Will this class be taught by ear, with sheet music, or both? By ear
Cost: Pay what it's worth to you. (The checkout page defaults to $25, but that's not the suggested price...choose what works for you. Thanks!)
Video: Registered students will receive the class recording immediately after the class, so feel free to sign up even if you can't attend live.
___________________________________________________________________
Instructor bio:
Randy Clepper is an in-demand player of the Irish bouzouki, guitar, and tenor banjo. He performs and tours regularly with several artists including fiddler Bella Issakova and fingerstyle guitarist John Sherman. Randy performs and teaches at festivals around the country and has been called upon to accompany many well-known traditional players. Randy also hosts the popular Trad Nua Celtic concert series at Natalie's Live Music in Columbus, Ohio, where he has featured many of the scene’s finest traditional touring acts.
Check out Randy's work here:www.randyclepper.com
A concert of Danny Diamond (Fiddle) and Brian Millar (Guitar, Bouzouki) which was available only on Facebook until now.
Here's a bit of information which I had asked AI to write for me:
UCC TradSoc is University College Cork’s Traditional Music Society, bringing students together through Irish music, song, and dance. Open to all skill levels, they host weekly concerts, pub sessions, and workshops throughout the year.
Their highlight event is TradFest, a lively annual festival featuring gigs, lectures, and session trails. The society also promotes Irish music globally, with performances in countries like Malaysia and South Africa.
Whether you're a musician or just love the tunes, TradSoc offers a warm, welcoming space to celebrate Ireland’s living musical tradition.
One of the first songs I ever heard Daoiri sing back in 2011. I had heard the song before from a Duo at Irish Folk Festival some time ago but don't remember the names of the two singers.
First a video of Daoiri, I think it's from 2013 made in Elmstein, Germany.
A live version from around 2001, only audio.
A live version with his trio I filmed in Pforzheim, Germany in 2019
{t:The Mickey Dam}
{st:Daoiri Farrell Version}
No capo
Daoiri: nur D 7050 und C 7500 je 2Takte In Str. 1
I’m an [D]honest Irish Laborer and I [G]came from the County Clare
I [D]always had a little farm with [G]nothin left to spare
I [D]had to sell me donkey and me [G]famous billy goat
And [D]with the money I received, to [C]Glasgow took the boat
In the [D]morning, when I landed there, be[G]fore me hair got [C\G]dry
I was [D5]started [C]at the [G]Micky [D/A]Dam in a [C]place they [D/A]called Mull [D5]Guy
And the [D5]ganger that I started with, they [C]call him [G/B]John the [C]Mouse
And the [D5]very first [C]day that [G/B]I got [D/A]there, at [C]me he’d [G/B]start to [G]grouse
Well, I [D]quickly did surprise him and I [G]said, „“You little [C\G]rat.
I’ll [D5]tie a [C]string a[G/B]round you’re [G]neck and [Dsus4/A]toss you to the cat““
For I’m [D5]strong as any lion. I was [G]reared on eggs and [C\G]ham
I’m a [D5]terror [C]to all [G/B]fighting’ [D/A]man a[C]round the [D/A]Micky [D5]Dam
Well, this roused the mouse’s temper and at me he made to jump.
And he swore he’d paralyze me with the handle of a pump
But, I quickly surprised him and I grabbed him by the throat
And I shook that ugly monkey ’til the tail fell off his coat
{soc}
For I’m [D5]strong as any lion. I was [G]reared on eggs and [C\G]ham
I’m a [D5]terror [C]to all [G/B]fighting’ [D/A]man a[C]round the [D/A]Micky [D5]Dam
{eoc}
Well, the big hotels we’re stopping at, they call them navies huts
And the fleas and bugs that are in the bed are as big as coconuts
Of a Saturday night, when I get home, I stands behind the door
And as they come out, one by one, I bashed them to the floor
For I’m as strong as any lion. I was reared on eggs and ham
I’m a terror to all fighting me around the Micky Dam
If you copy these lyrics and import them into an lyrics and chords app like Songbook you can see the chords above the lyrics, transpose etc. In the Songbook app you can define Bouzouki as instrument and it has chords implemented so you can see how to play them. You even can define your own chords, which is really handy sometimes. The app is available for most platforms.
What a gem! I don't think there a many video recordings of Andy from that time. Here's one hour of Andy solo and with Kevin Burke and Mícheál Ó Domhnaill. Once again thanks to AndyFanblock page on YouTube who collects videos of Andy.
"Biddy Mulligan" is a folk tune composed by Seamas Kavanagh in the 1930s. It honors the lively personality of a street vendor from the Coombe area in Dublin. The song paints a picture of a woman who makes a living selling things like fruit, nuts, and used clothing, and it emphasizes her strength and sense of pride in her working-class roots. It also stands as a cultural companion to the better-known Dublin ballad, "Molly Malone."
