Here's some more videos:
Brendan Mulholland on flutes, bringing melodies and ornamentation to the fore
Blaithín Mhic Cana, whose expressive vocals draw on her native South Armagh singing tradition, especially the regional song lore
Aaron O’ Hagan, playing uilleann pipes along with flute and whistles, adding both tone and rhythmic drive
Luke Ward, on bouzouki and vocals, anchoring harmonic support and song texture
Their self‑titled debut album was released on 1 February 2025. It has been widely praised by critics and the trad community for its confident presentation of both instrumental sets and song material rooted in Ulster’s musical heritage.
Tempest’s repertoire embraces a balance of driving dance tunes and emotionally resonant songs. Their musical identity is firmly anchored in the heritage of Ulster—especially the northern province’s traditions—while also seeking fresh interpretations and energy.
Macdara Ó Faoláin is a bouzouki‑player, multi‑instrumentalist and luthier from An Rinn, Co. Waterford. wlrfm.com+3The Irish News+3returntolondontown.org+3
He is known for his innovative accompaniment style in Irish traditional music, combining deep harmonic awareness and delicate technique. The Irish News+3returntolondontown.org+3folkandroots.co.uk+3
Mcdara has recorded and performed with many leading artists including Nuadan, Cormac McCarthy, The Friel Sisters, Derek Hickey and Nell Ní Chróinín. folkandroots.co.uk+3The Irish News+3Macdara Ó Faoláin+3
As a native speaker of Irish, he also writes songs in Irish and builds instruments (mainly bouzoukis & mandolins), helping to sustain and evolve the tradition. The Irish News+2returntolondontown.org+2
(written by chatgpt)
Here's a list of my Tabs:
- The Beautiful Goldfinch (Nuadan)
- The Muskerry Tram (Nuadan)
- The Stone Of Destiny (Nuadan)
- The Hills Of Larraga (with Oisin Morrison)
Here you find a list of tabs I made of Donal Lunny's accompaniments.
My friend chatgpt wrote a little text for me:
Dónal Lunny (born 10 March 1947, Tullamore, County Offaly, Ireland) is a seminal figure in Irish traditional music—renowned as a bouzouki player, guitarist, composer, and producer. CFA Creative Futures Academy+3Wikipedia+3Wikipedia+3
He was a founding member of several landmark bands, including Planxty, The Bothy Band, Moving Hearts, Coolfin, and Mozaik. CFA Creative Futures Academy+3Wikipedia+3Wikipedia+3 Lunny is widely credited with introducing and popularizing the flat‑backed Irish bouzouki—modifying its design (via luthiers such as Peter Abnett) to suit the demands of Irish folk accompaniment. Wikipedia+2The Irish Post+2
Beyond instrument performance, he has worked as a producer and arranger, collaborating with both Irish traditional and international artists, continuously innovating across decades. allcelticmusic.com+2Wikipedia+2
Dónal Clancy is one of the finest guitarists in Irish traditional music today. Raised in An Rinn, County Waterford, he comes from a legendary musical family—his father was none other than Liam Clancy of The Clancy Brothers & Tommy Makem.
Dónal began playing guitar at an early age and developed a style that blends technical precision with deep musical sensitivity. He was member of the acclaimed group Danú and has performed with The Chieftains, Eileen Ivers (Riverdance), and the Máirtín O’Connor Trio, among others.
In addition to guitar, Clancy plays bouzouki, mandolin, and other stringed instruments. His solo albums combine traditional ballads with elegant arrangements and modern virtuosity.
Through his music, he not only preserves his family’s rich musical heritage—he continues to shape and expand it.
Brian Miller hails from Bemidji, in northern Minnesota. He developed a deep connection to Irish music early in life and has become known as a singer, guitarist, and bouzouki player dedicated to reviving traditional songs from the Great Lakes region—especially ballads once sung in lumber camps, aboard ships, and along the railroads.
Brian has performed with several notable groups, including Bua, Two Tap Trio, Chulrua, and the Máirtín de Cógáin Project. He is also an experienced educator and has taught for many years at institutions such as the Center for Irish Music in Minnesota.
His duo project The Lost Forty, with Randy Gosa, focuses on uncovering and performing Irish-influenced folk songs from the northern U.S., combining music with rich historical storytelling and cultural context.
- Vincent Fogarty
Brian Millar is a musician based in St. Paul, Minnesota, known for his deeply rooted work in Irish traditional music. Originally from Bemidji, he fell in love with Irish sounds as a teenager at the Winnipeg Folk Festival and has since developed a rich career as a guitarist, bouzouki player, singer, and multi‐instrumentalist.
He has played with bands such as Bua, The Two Tap Trio, and in recent projects like The Lost Forty (with Randy Gosa), bringing to light song traditions from the Great Lakes region and lumber camps. Miller also teaches Irish music, and his accompaniment style—especially on guitar and bouzouki—is admired for its intricacy, drive, and deep sense of tradition.
His website
‘A que por muy gran fermosura’ is the title of Cantiga 384 from the Cantigas de Santa María, a collection of songs praising the Virgin Mary written during the reign of Alfonso X the Wise. This cantiga tells the story of a devout monk who wrote the name of Saint Mary in three colours to honour her great beauty, and how the Virgin appeared to him in a dream to thank him.
Now he has turned his attention to accompanying the song “The Blacksmith” in Andy Irvine's version. He sticks pretty closely to the version Andy plays live. He shows the intro and the accompaniment for the verses. Of course, there is also tablature for it.
So if you've been hesitating to sign up, now there's one more important reason to do so. It's worth it!
Here's a little excerpt of the tab, hope Luke doesn't mind.
If you want to improve your bouzouki playing or expand your possibilities, you should definitely sign up.
Payment is based on the principle of pay what you can. The default amount is $25.50, but you are free to choose any amount you like.
Perhaps you shouldn't just choose $1, because then there is a possibility that such workshops might not be able to take place in the future.
You can enroll here or just click on the picture on the left.
And by the way, if you play any other instrument, there are lots more workshops on offer here.
Here's the announcement from the website:
Strumming away at chords certainly has its place, but there’s a whole gamut of options that can be employed in Irish music accompaniment. We’ll explore a palette of ideas including partial chords, countermelodies, how melodies inform accompaniment, rhythmic choices including minimal (the oft-quoted “music is the space between the notes” can be applied to accompaniment as well as to melodies). Demonstrations will be primarily on the bouzouki but the concepts apply to guitar and other forms of accompaniment. Instructor: Randy Clepper
Who's this for: Bouzouki, guitar, other accompaniment instruments
Level: Advanced Beginners/Intermediate/Advanced Will this class be taught by ear, with sheet music, or both? By ear Cost: Pay what it's worth to you. (The checkout page defaults to $25, but that's not the suggested price...choose what works for you. Thanks!)
Video: Registered students will receive the class recording immediately after the class, so feel free to sign up even if you can't attend live. ___________________________________________________________________ Instructor bio: Randy Clepper is an in-demand player of the Irish bouzouki, guitar, and tenor banjo. He performs and tours regularly with several artists including fiddler Bella Issakova and fingerstyle guitarist John Sherman. Randy performs and teaches at festivals around the country and has been called upon to accompany many well-known traditional players. Randy also hosts the popular Trad Nua Celtic concert series at Natalie's Live Music in Columbus, Ohio, where he has featured many of the scene’s finest traditional touring acts. Check out Randy's work here: www.randyclepper.com
One of the first songs I ever heard Daoiri sing back in 2011. I had heard the song before from a Duo at Irish Folk Festival some time ago but don't remember the names of the two singers.
First a video of Daoiri, I think it's from 2013 made in Elmstein, Germany.
{t:The Mickey Dam}
{st:Daoiri Farrell Version}
No capo
Daoiri: nur D 7050 und C 7500 je 2Takte In Str. 1
I’m an [D]honest Irish Laborer and I [G]came from the County Clare
I [D]always had a little farm with [G]nothin left to spare
I [D]had to sell me donkey and me [G]famous billy goat
And [D]with the money I received, to [C]Glasgow took the boat
In the [D]morning, when I landed there, be[G]fore me hair got [C\G]dry
I was [D5]started [C]at the [G]Micky [D/A]Dam in a [C]place they [D/A]called Mull [D5]Guy
And the [D5]ganger that I started with, they [C]call him [G/B]John the [C]Mouse
And the [D5]very first [C]day that [G/B]I got [D/A]there, at [C]me he’d [G/B]start to [G]grouse
Well, I [D]quickly did surprise him and I [G]said, „“You little [C\G]rat.
I’ll [D5]tie a [C]string a[G/B]round you’re [G]neck and [Dsus4/A]toss you to the cat““
For I’m [D5]strong as any lion. I was [G]reared on eggs and [C\G]ham
I’m a [D5]terror [C]to all [G/B]fighting’ [D/A]man a[C]round the [D/A]Micky [D5]Dam
Well, this roused the mouse’s temper and at me he made to jump.
And he swore he’d paralyze me with the handle of a pump
But, I quickly surprised him and I grabbed him by the throat
And I shook that ugly monkey ’til the tail fell off his coat
{soc}
For I’m [D5]strong as any lion. I was [G]reared on eggs and [C\G]ham
I’m a [D5]terror [C]to all [G/B]fighting’ [D/A]man a[C]round the [D/A]Micky [D5]Dam
{eoc}
Well, the big hotels we’re stopping at, they call them navies huts
And the fleas and bugs that are in the bed are as big as coconuts
Of a Saturday night, when I get home, I stands behind the door
And as they come out, one by one, I bashed them to the floor
For I’m as strong as any lion. I was reared on eggs and ham
I’m a terror to all fighting me around the Micky Dam
If you copy these lyrics and import them into an lyrics and chords app like Songbook you can see the chords above the lyrics, transpose etc. In the Songbook app you can define Bouzouki as instrument and it has chords implemented so you can see how to play them. You even can define your own chords, which is really handy sometimes. The app is available for most platforms.
What a gem! I don't think there a many video recordings of Andy from that time. Here's one hour of Andy solo and with Kevin Burke and Mícheál Ó Domhnaill. Once again thanks to AndyFanblock page on YouTube who collects videos of Andy.
A newly posted video on the Andy Irvine Fanblock on YouTube. What a concert it was!
