What a wonderful song by Andy Irvine. From his album "Rainy Sundays, Windy Dreams" released in the 70s.
Here's a version from the Celebrating of the 40th anniversary of the Paul Brady/Andy Irvine album. Andy Irvine, Paul Brady, Donal Lunny, Kevin Burke, Vicar Street Dublin. 21 May 2017
Julie is one of my favorite female singers in trad music. With her husband Eamon by her side she even gets better. I once found this recording of a song which I can't find on CD (if I am wrong please let me know) on youtube and managed to download it at that time. Lucky me, because it isn't available there any more.
For this entry I uploaded it again, but made it not searchable, because I'm not sure if I am violating any laws or rules by posting it again.
Here it is. Listen to the intro, it is so easy but so lovely:
Now that I had the time I tried to manage to tab the intro and the first two verses of this recording. Here is my Tabledit file:
I posted this more than 10 years ago and still like it. Too good to be forgotten. So here it is again.
A site for guitarists, but you can use the advanced guitar room for bouzouki, too. Custom tunings are possible. Look for scales, notes etc on the fretboard.
Some years ago I mentioned this app. I found it again and think it is really worth to try it.
Fretmaster can help to lern the notes on the fretboard. It's Easy to use and it's free.
To use it for bouzouki select mandolin and then click on the tune fork icon and alter the tuning to GDAD.
Then click on the play button. You will hear a note and see where it is on the fretboard. Now you have to tip on the correct note name on bottom of the page.
A nice way of accompaniment for A Dorian tunes (Am) is to put the capo in 2nd position and play in Gm. This way you can use the G-string and or the D-string as drone (with capo then A and E).
I made a chord chart with lots of chords for this occasion:
As an example here are some possible chords for the tune Castle Jig. Your ears have to decide what sounds good for you:
I found this nice version of the Castle Jig, so this one might be used to try to accompany.
This is Kevin Burke teaching the Castle Jig. I cut out his performance and looped it, so I could play along with him. I used some of the chords shown above in the chord sheet. I had lots of inspiration from the Guitar Course at OAIM which is well worth a look at, even for players of the bouzouki. https://www.oaim.ie
Here's a second video with some slightly different chords:
Today Nye Farley published a video in which he explains a bit the style of Dennis Cahill. It's a video for Guitar, but maybe some of the parts could be interesting for bouzouki players as well. Example tune is approx. 107 BPM.
I tried to find chords for bouzouki which might be suitable for this style. Here is my chord sheet, G-Drone on the Bass String:
Nye Farley (Folk Friend) offers a series called Folky Fridays where he talks about several techniques for Irish Guitar. In No 3 he talks about different strumming patterns. So this might also be interesting for bouzouki.
The sound quality is really bad, but the content make it worth having a look at it.
Nye also has written a book which I can really recommend called Backing techniques for Celtic Traditional Music which is available on his website:
An old video of Planxty. It's a song only available as Single, and on a compilation, as far as I know. Yarmouth Town.
Here are the chords the way I use to play it. If you use the app "songbook" from Linkesoft, I wrote about it some time ago, you just have to copy and paste.
a [G]pretty little [D]thing with the [A]golden hair.
{soc}
Oh, [D]won’t you come down,
[G]won’t you come down,
[A]won’t you come down
to [G]Yar[A]mouth [D]town.
{eoc}
2. At [D]night there came a [Bm]sailor man
and he’s [G]asked the daughter [A]for her hand.
„Oh, [D]why should I marry [Bm]you, she said,
I [G]have all I [D]want with[A]out being wed.
{soc}
Oh, [D]won’t you come down,
[G]won’t you come down,
[A]won’t you come down
to [G]Yarmouth [D]town.
{eoc}
3. „But [D]{soh}if{eoh} with me you do [Bm]{soh}want{eoh} to linger,
I [G]tie a piece of string all ar[A]ound my finger
and [D]as you pass by, just [Bm]pull on the string
and [G]I’ll come [D]down and I’ll [A]let you in.“
{soc}
Oh, [D]won’t you come down,
[G]won’t you come down,
[A]won’t you come down
to [G]Yarmouth [D]town.
{eoc}
4. At [F#m]closing time the [Bm]sailor man
he’s [Em]gone to the tavern down [A]by the strand
and [F#m]as he passed by, he [Bm]pulled on the string,
and [G]she’s come [D]down, and she’s [A]let him in.
{soc}
Oh, [D]won’t you come down,
[G]won’t you come down,
[A]won’t you come down
to [G]Yarmouth [D]town.
{eoc}
5. Now [Bm]he’s never seen such a [Em]sight before,
‚cause the [G]string around the [D]finger was [A]all she wore.
{soc}
Oh, [D]won’t you come down,
[G]won’t you come down,
[A]won’t you come down
to [G]Yarmouth [D]town.
{eoc}
6. The [F#m]sailor stayed the [Bm]whole night through
and [Em]early in the morning went [A]back to his crew,
and then he [F#m]told them about the [Bm]maiden fair,
the [G]pretty little [D]thing with the [A]golden hair.
{soc}
Oh, [D]won’t you come down,
[G]won’t you come down,
[A]won’t you come down
to [G]Yarmouth [D]town.
{eoc}
7. Well, the [D]news it soon [Bm]got around
and the [G]very next night in [A]Yarmouth Town
there was [D]fifteen sailors [Bm]pulling on the string
and [G]she’s come [D]down and [A]she’s let them all in.
{soc}
Oh, [D]won’t you come down,
[G]won’t you come down,
[A]won’t you come down
to [G]Yarmouth [D]town.
{eoc}
8. So all young men that to Yarmouth go,
if you see a pretty girl with her hair hanging low,
well, all you’ve got to do is pull on the string,
and she’ll come down and she’ll let you in.
{soc}
Oh, [D]won’t you come down,
[G]won’t you come down,
[A]won’t you come down
to [G]Yarmouth [D]town.
{eoc}
Yarmouth ist ein Hafen und Civil parish an der Nordwestküste der südenglischen Isle of Wight. Der Ort liegt an der Mündung des Flusses Western Yar in die Meerenge Solent. Yarmouth ist die kleinste Town im Vereinigten Königreich.