This is a slow Polka in G. Shannon and Matt are playing it nice and slow. The tune starts at 3:05.
This is the tab I made for the first time round the tune. Looks more difficult that it is. First time I tried to write a tab for a Polka. 2/4 time. I hope I did it right.
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I also made a tab of the 2nd time round the tune because Matt uses several chords up the neck here:
Here is a tab for the melody at capo 2. I made it from the second file on thesession.org with the program tabledit, but changed a few little things. https://thesession.org/tunes/1367
From the Heaton's weekly virtual session from July, 25th here is a jig called The Haunted House. Matt uses several voicings for G, C and D. Tune starts at 7:42.
A slow march played by Matt & Shannon Heaton called Sean South of Garryowen. Matt plays in G without capo. He uses several voicings for G, C and D. Tune starts at 3:18.
I tried to write down the first round through the tune. Hope, I got it right. Here's my tab:
From the classic album Mary Bergin and Alec Finn: Feadoga Stain this is a wonderful reel.
I tried to write down the accompaniment of Alec for the first round
through the tune just to get to know a bit what he is doing. I'm not
always sure what his right hand is doing as he sometimes breaks through
the up and downs. Updated Aug 21st 2020, added chord shapes and corrected mistake in measure 6.
And here is the tab for the melody (GDAD). I made it with the program tabledit on the MAC out of a setting that appears on thesession.org in the comments:
Another video of the Heaton Sessions. This time from August, 8th, 2020. The tune is Ships are Sailing and it starts at 25:38. Chords are mostly Em, D and sometimes G.
Here is my chord sheet. I noted where the bass is accented because this is important for the rhythm. There are also some Hammering-Ons. Blue chord names: this is a Bass-line.
Below the tab is a list of used chords. Tuning GDAD. So 9,9,10,0 means for example: G string 9th fret, D string 9th fret, A string 10th fret, D string rings open.
These are the chords for the first time through. Beware, there might be some mistakes in it. If you find one, let me know, please. I think, to understand the writing you have to watch the video and compare. Otherwise it might be a little confusing.
If you want to know more about Matt's approach to Em-Tunes you can watch his Guitar related video to tunes in Em. I included it below.
Matt and Shannon Heaton broadcast a regular slow session during the lockdown. They play mostly well known session tunes. It is always a pleasure to listen to both of them and to play along with them. The sessions are saved on youtube so one can watch thCaem everytime. So if you missed one of the sessions, they are still on youtube. This is the link to Shannon's youtube-channel:
On August, 1st 2020 Matt and Shannon Heaton had another Online Session. As warmup they played this lovely version of A Fig For A Kiss. Tune starts at 2:36
South Sligo SummerSchool gave us two tutorials with Shane McGowan. He's one fine guitar player and has worked with so many famous musicians. I saw him several time live and I think his style is very lively. As it is all about rhythm it should be of interest to bouzouki players as well.
A lovely song I first heard from the group Bohola. The Carter Family made it popular, I think. I play nearly the same arrangement as Pat Broaders does on the self titled CD. Sorry for the mistakes. Also I forgot the 3rd verse and sang it as last verse.;-) Shit happens.
Josephine March, composer, box and fiddle player. Her brother, Pat, plays bouzouki on these videos.
Geantraí 1998. All's Well That Ends Well (Jig 00:00) Jigermyster (Jig 01:27)
a set of jigs composed by Josephine Marsh. Tunes: Lad O'Berine's (Reel 00:00) Phyllis' Reel ( 01:54) Josephine Marsh, (button accordion) Eithne Ní Dhonaile, (harp) John Weir, (fiddle) + Pat Marsh (bouzouki ) recorded in Ennis, Co. Clare in 1998.
Gradam Ceoil TG4 2020 - The Finale: Tá an Coileach ag Fógairt an Lae (Song 0:00), Paddy Fahy's (Reel 1:02), Jig For The One Row (Jig 1:39) & Lead The Knave (Reel 2:38)
This post is in German, but I think it is easy to understand. Some exercises to warm up your fingers. It is always a good idea to warm up fingers before playing. But oftentimes I forget to do it because I just want to play ;-)
For some weeks now Matt Heaton offers workshops how to accompany Irish Music on Guitar. This week he offers the first Rhythm Workshop. He concentrates on Jigs. No chords this time, so this workshop is useful for Bouzouki players too.
Karl Nesbitt gives a little introduction to accompany a jig in Bm/D. This is a nice presentation for beginners. Karl also provides some introductional videos for Bodhran, Whistle and Flute on youtube.
A lovely song here sung by Tim Browne, a singer and bouzouki player from Kanturk, Ireland. He just sent me his CD he made called Where Treasures Lay by his Duo called Cosamar. What a lovely CD. I really enjoy listening to it. So I searched for his other CDs at my home and found this song, which can be found on youtube too.
As [D]I roved [D/F#]out one [G]morning fair,
being [D]early [G]as I [D]strayed - Hammering-On over "early" D-String 0-4
It [D]being all on the month of [G/B]June,
the [D]binds sang in the [G]shade - Hammering-On over "birds" D-String 0-4
The [D]sun shone down right merri[G5]ly
and the [D]waters did gently [G]glide
Where [D]primroses and [G]daisies grow
down [D]by Black[A]water[D]side
I scarce had gone but half one mile when then by chance I spied
Two lovers talking as they walked down by Blackwaterside
And as he embraced her in his arms these words unto her did say
When I'm in America, I will be true, to my bonny Irish maid
When you are in America, those Yankee girls you'll find
And you'll have sweethearts of your own more pleasing to your mind
But do not forget the promises and vows you made unto me
Oh stay at home love and do not roam from your bonny Irish maid
When I'm in America those Yankee girls I'll see
But they'll have to be very pretty love to remind me of thee
There's not one bird in yon green bush or a flower in yonder glade
Which does remind me love of you, my bonny Irish Maid
It's many's the foolish youth she said has gone to a distant shore
Leaving behind his own true love perhaps to see no more
It's in crossing of the Atlantic foam their graves are sometimes made
Oh stay at home love and do not roam from your bonny Irish maid
And so these two young lovers, so fondly did embrace
Like honey drops all on the dew the tears ran down her face
Saying there'll not be a day while you're away but I'll visit still these green glades
Until you will return here once more to your bonny Irish maid
[D]: x000
[D/F#]: x400
[G]: 0520 or 0500?
[G/B]: 4550 or 4500
[G5]: x550
