A new Slow Session from the Heatons last Sunday. The warmup Jig played on bouzouki. First in G, then in A. It's a nice idea to change the key during a tune. Works very well for the Haunted House. Here's the video: Jig starts at 2:45
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This is the tab I made for the first round through the tune: Hope it is nearly correct. If you find any mistakes please let me know. I will post a tab in A later.
Well, as Matt uses some interesting chords and rhythmic variations in the third round through I made a tab for it also. So here it is:
For all lovers of odd rhythms and modern Folk here's a relatively new band from Finland. Alex, a reader of my blog reminded me of them, many thanks for that. I once listened to their album when it came out but forgot about them. So I gave it another try. Fantastic musicians.
Today I tried to find out different variations to accompany the march Lord Mayo. Starting point was the video by Matt & Shannon Heaton. Matt plays Gm-Chords with Capo on 2nd fret. Then I found the version of the Floating Crowbars. They play Dm-Shapes with Capo on 7th fret. So I had 2 different approaches. Then I thought, how it would sound with Am-shapes without capo and tried different chords.
So at first here are some possibilities without capo, maybe you'll find some more:
Not every attempt sounds good to everyone, so you have to decide what suits you.
Here are some chords that might be useful in Am:
Now lets look at Gm-shapes with capo on 2nd fret. First here's the video of Matt & Shannon Heaton. Lord Mayo starts at 42:20.
Now let's look at the recording of the Floating Crowbars. They use Dm-shapes with capo on 7th fret:
I really like the intro and groove of this accompanyment. Here's a tab for it:
Another lovely slow session by Matt and Shannon Heaton. This times two sets with bouzouki. One of them a beautiful An Dro called the Wren. I know it for many years as a song by Tri Yann from France. They called it Kerfank 1870 and it is on their Album "Urba". If you don't know it give it a listen. This is the album where they began to change their style to be more electric.
This is a slow Polka in G. Shannon and Matt are playing it nice and slow. The tune starts at 3:05.
This is the tab I made for the first time round the tune. Looks more difficult that it is. First time I tried to write a tab for a Polka. 2/4 time. I hope I did it right.
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I also made a tab of the 2nd time round the tune because Matt uses several chords up the neck here:
Here is a tab for the melody at capo 2. I made it from the second file on thesession.org with the program tabledit, but changed a few little things. https://thesession.org/tunes/1367
From the Heaton's weekly virtual session from July, 25th here is a jig called The Haunted House. Matt uses several voicings for G, C and D. Tune starts at 7:42.
A slow march played by Matt & Shannon Heaton called Sean South of Garryowen. Matt plays in G without capo. He uses several voicings for G, C and D. Tune starts at 3:18.
I tried to write down the first round through the tune. Hope, I got it right. Here's my tab:
From the classic album Mary Bergin and Alec Finn: Feadoga Stain this is a wonderful reel.
I tried to write down the accompaniment of Alec for the first round
through the tune just to get to know a bit what he is doing. I'm not
always sure what his right hand is doing as he sometimes breaks through
the up and downs. Updated Aug 21st 2020, added chord shapes and corrected mistake in measure 6.
And here is the tab for the melody (GDAD). I made it with the program tabledit on the MAC out of a setting that appears on thesession.org in the comments:
Another video of the Heaton Sessions. This time from August, 8th, 2020. The tune is Ships are Sailing and it starts at 25:38. Chords are mostly Em, D and sometimes G.
Here is my chord sheet. I noted where the bass is accented because this is important for the rhythm. There are also some Hammering-Ons. Blue chord names: this is a Bass-line.
Below the tab is a list of used chords. Tuning GDAD. So 9,9,10,0 means for example: G string 9th fret, D string 9th fret, A string 10th fret, D string rings open.
These are the chords for the first time through. Beware, there might be some mistakes in it. If you find one, let me know, please. I think, to understand the writing you have to watch the video and compare. Otherwise it might be a little confusing.
If you want to know more about Matt's approach to Em-Tunes you can watch his Guitar related video to tunes in Em. I included it below.
Matt and Shannon Heaton broadcast a regular slow session during the lockdown. They play mostly well known session tunes. It is always a pleasure to listen to both of them and to play along with them. The sessions are saved on youtube so one can watch thCaem everytime. So if you missed one of the sessions, they are still on youtube. This is the link to Shannon's youtube-channel:
On August, 1st 2020 Matt and Shannon Heaton had another Online Session. As warmup they played this lovely version of A Fig For A Kiss. Tune starts at 2:36
South Sligo SummerSchool gave us two tutorials with Shane McGowan. He's one fine guitar player and has worked with so many famous musicians. I saw him several time live and I think his style is very lively. As it is all about rhythm it should be of interest to bouzouki players as well.
A lovely song I first heard from the group Bohola. The Carter Family made it popular, I think. I play nearly the same arrangement as Pat Broaders does on the self titled CD. Sorry for the mistakes. Also I forgot the 3rd verse and sang it as last verse.;-) Shit happens.
Josephine March, composer, box and fiddle player. Her brother, Pat, plays bouzouki on these videos.
GeantraĂ 1998. All's Well That Ends Well (Jig 00:00) Jigermyster (Jig 01:27)
a set of jigs composed by Josephine Marsh. Tunes: Lad O'Berine's (Reel 00:00) Phyllis' Reel ( 01:54) Josephine Marsh, (button accordion) Eithne NĂ Dhonaile, (harp) John Weir, (fiddle) + Pat Marsh (bouzouki ) recorded in Ennis, Co. Clare in 1998.
Gradam Ceoil TG4 2020 - The Finale: Tá an Coileach ag Fógairt an Lae (Song 0:00), Paddy Fahy's (Reel 1:02), Jig For The One Row (Jig 1:39) & Lead The Knave (Reel 2:38)